Jeremy Saffer

Jeremy Saffer began making the rounds within the magazine world at the young age of 17, publishing his work on the covers of such varied publications as Metal Maniacs, Hails and Horns, AMP, Outburn and many more. Saffer has blazed his own trail, working with artists, celebrities and models from all across every spectrum. From My Chemical Romance, Jeffree Star, and A Day to Remember, to Megadeth, Alice Cooper, The Misfits, Rob Schneider, and even Gary Busey…all have spent time in front of Jeremy’s watchful eye and steady hand at one point or another.

Jeremy establishes relationships with his subjects; he has earned the trust and respect of his peers via his attention to detail, and an unerring work ethic, which can only result from years of hard work.
Recent years have seen a flurry of activity from the Western Mass native. Whether it’s organizing his own seminars and workshops, releasing his acclaimed Bring the Noise collection of band photography, or adding to the ever-growing collection of record and magazine covers featuring his work. The immediate future holds even more possibility for Jeremy, with an imminent and highly anticipated collection of Corpse Painted Nude photography set to turn the rock photography world on its ear, and even more surprises lurking around the corner.

 

One thing is certain: whatever does wait for Jeremy Saffer out there in the shadows…odds are pretty good that he’s going to shoot it.

Whether on tour, on location, or around the studio; Dynalite has been my choice of lighting since I first began my career behind a camera. The Jackrabbit kit is the perfect portrait kit; being lightweight, versatile, battery powered and most importantly, rugged.I could be in the dead of winter shooting on a frozen lake, or in the middle of a dessert shooting under a cloudless sky, and the Dynalite kit will never fail to fire, recycle quickly, and provide consistent and perfect lighting, no matter the shooting conditions. Dynalite has proven, time and time again to be the best, never fail lighting, that I can always trust to provide the most consistent and balanced lighting for anything that finds its way in front of my lens. – Jeremy Saffer